READING AND DESIGNING CASTELVECCHIO CALVISIO

2nd international ISAR summer school, Architecture in Abruzzo, Castelvecchio Calvisio, Italy, July 17-27, 2020
Opening conference

READING AND DESIGNING CASTELVECCHIO CALVISIO
MEDIEVAL HILL-TOP TOWNS

poster Castelvecchio Summer School
,
18th July 2020, 15:30 (GMT+2:00)
Özyeğin University, ZOOM platform

https://zoom.us/j/93768467733 pwd=aXJ3OW95bjZQc1lIbUREQ1F6L2FVQT09

Presentations:

MICHELE CORNIETI (MIBACT, Soprintendenza Archeologia Belle Arti e Paesaggio per la città metropolitana di Firenze e le province di Pistoia e Prato)
Morphological characters of Northern Apennine settlements.The Val di Bagno case
MASSIMO ANGRILLI (Università degli Studi “G. d’Annunzio” Chieti – Pescara)
Centrality and marginality of the Abruzzo Apennine territories
GIORGIO VERDIANI (University of Florence) From Cultural Heritage documentation and digital survey to multimedia
ALESSANDRO CAMIZ (Özyeğin University)
From villa to village: the formation process of small towns in central Italy
GIUSEPPE STRAPPA (“Sapienza”, University of Rome)
Contemporary architecture in historical contexts
TOM RANKIN (ISAR)
Compact Cities, Broadband Villages, Rural Urbanism
JOHN BARBOUR (University of Colorado)
Design analysis for the ecological, historical, and formal in village urbanism
DARKO REBA (University of Novi Sad)
Rhythms in open urban spaces

Live stream on https://www.facebook.com/groups/drum.lab.ozyegin/

 

Dyads of an operating thought. Modification & continuity | project & morphology.

Nicola Scardigno

Dyads of an operating thought.

Modification & continuity | project & morphology”

Nicola Scardigno_paper ISUFitaly 2020_Roma

“The built environment which surrounds us is, we believe, the physical way of being of its history, the way in which it accumulates itself, according to different thicknesses and
meanings, to form the specificity of the site not only for what that environment perceptually appears, but for what it is structurally. The place is built from the traces of its own history” (Gregotti V., 1986).
The Milanese architect’s definition seems to allude – implicitly – to  conceptual dyads concerning the architecture discipline: modification-continuity and project-morphology.
Reflecting on each dyads’ term, the essays intends to “conceptualize” the theme of the project bringing it back to an eidetic procedure capable of determining a “modification”
– conceived in the manner of a “conscious” act of being part of a pre-existing whole – of the things state: both through the recognition of structural rules and the identification of settlement principles coherent with the vocation of the “environment” – or
the settlement – hosting the project itself. The theoretical speculation will find concrete relapse in two projectual experiences facing with current issues of urban project: the fragmentation of urban periphery and the re-signification of a disused area inside urban  fabric.

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Nicola Scardigno_paper ISUFitaly 2020_Roma