Tag Archives: Urban morphology

Carlo Quintelli – Tre concetti per la morfologia urbana dal punto di vista progettuale

Three concepts for the urban morphology from a designing point of view

in U+D Urbanform and Design n. 15 – 2021 (Italian and English text)

The tool of morphological analysis for architectural and urban composition should lead us to critically re-consider the contributions of Italian Schools which have used such a tool in different ways but with a common scientific intention: that of a general critical revision and epistemological re-foundation of the design culture. A revision that cannot fail to involve the thematic node of the relationship between architecture and city despite its phenomenological actualization, the question of typology as a non-univocal but essential component of morphological characterization, and the functional datum in the interpretative key of a physiology of urban and territorial contexts capable of guiding the design choice.
Thus contrasting a kind of temperance design on a cognitive basis to that of an architecture dictated by the functionalism of communication.

https://drive.google.com/file/d/1po9mICvcKphGBED3750sCBecwLi0Pe23/view?usp=sharing

RENATO CAPOZZI / FEDERICA VISCONTI – DEFINITION OF URBAN VOID – A PROJECT FOR PADUA

RENATO CAPOZZI / FEDERICA VISCONTI

LECTURE

DEFINITION OF URBAN VOID – A PROJECT FOR PADUA

FACOLTA’ DI ARCHITETTURA DI ROMA – SEDE DI VALLE GIULIA

AULA FIORENTINO

h. 3.30 pm CET – in attendance and online lecture

https://meet.google.com/mvu-ikqg-gmt

Padua is an extraordinary city of water, an island in the plain squeezed between the Bacchiglione and its branches, the Brenta and the city walls still visible today among casemates, bridges and pieces of nature. A city of mythical origins, which is shown today through its ancient, modern and contemporary wonders, obtaining the recognition of “Urbs picta” as a UNESCO World Heritage Site. The Scrovegni Chapel, the Eremitani Museum and Palazzo Zuckemann are concentrated within and on the edge of the Arena Gardens, defining an urban polarity that requires a reorganization of the museum, but above all a clarifying re-foundation of its urban form. As part of the DiArchitettura association workshop, we proposed an urban project that, with a few moves summarized in the title – points, lines, surfaces – would reconfigure the boundaries, internal connections and overall shape: a re-planning project that intervenes in the body of this part of the city, knowing it, but without giving up its necessary transformation.  A system of poles, ‘mineral’ points and ‘natural’ surfaces that aspires to build a new urban insula dedicated to culture capable of representing Padua as a single great architecture.

 

 

 

 

 

Vítor Oliveira – Morphological research in architecture

LECTURE
URBAN MORPHOLOGY COURSE  (G.STRAPPA) 

SAPIENZA – UNIVERSITY OF ROME

This lecture is in two parts. The first one proposes a morphological reading grounded on the town-plan concept. The concept is applied in the analysis of  Lindo Vale, a 19thcentury street in the city of Porto, Portugal. The second describes how this morphological approach informs the design of a new house in Lindo Vale. It explicitly addresses a fundamental question of the relationship between analysis and design of the urban landscape: what to conserve and what to change? The specific nature of this building as a design response to a particular urban landscape is highlighted through a brief comparison with two other buildings designed by its authors in the city of Porto – one in a medieval street, the other in an early 20th century street.

TUESDAY 16 NOVEMBER 2021

Valle Giulia-Room V8 (Aula Fiorentino) -h. 5.30 pm CET https://meet.google.com/fmh-mosz-prn

Marco Trisciuoglio – The Bridge & the Wall – KAEBUP lecture in Urban Morphology

Marco Trisciuoglio lecture in  Urban Morphology Sapienza course 

Lezione di Marco Trisciuoglio al  Corso di Urban Morphology 

link : meet.google.com/mvu-ikqg-gmt  – h. 5pm CET

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THE BRIDGE & THE WALL.

For a Survey of the Urban Form of Southern Nanjing

Marco Trisciuoglio, “Transitonal Morphologies” Joint Research Unit
Politecnico di Torino (Italy) and Southeast University Nanjing (China).
An engrave by Thomas Allom (1850), entitled “The Bridge of Nanjing”, shows the city walls, a bridge on a water canal and a pagoda. Allom was never in China, but he drew his views collecting
memories of other painters and some writers, in a sort of personal “analogous city”.
In that picture, another urban element is a group of old small houses. Nowadays, in the Southern part of Nanjing, within the still existing precinct of the city wall (Qinhuai District), some traces of
the ancient urban fabric give an idea of the Ming Dynasty city (when Nanjing was the capital city of the Chinese Empire). A morphological survey of that zone, made through the criteria of the Italian
school of urban morphology, is currently used for some innovative projects of urban regeneration.
Not only the role of iconography, but also the role of maps, the role of the courtyard-house typology and the role of the ownerships’ changes during 20th century, represent together the core of an “operative” investigation”

Ayse Sema Kubat – MORPHOGENETIC SURVEY ON THE TRANSFORMATION OF A POLITICAL CENTER TO A TRANSPORTATION HUB: TAKSIM & GEZI PARK, ISTANBUL

 

Ayşe Sema Kubat  ITU Istanbul Technical University

MORPHOGENETIC SURVEY ON THE TRANSFORMATION OF A POLITICAL CENTER TO A TRANSPORTATION HUB: TAKSIM & GEZI PARK, ISTANBUL

The presentation aims to contribute to further the knowledge about design/planning interventions in central public spaces and how these may affect on the morphological structure of a city through movement and vitality. This presentation provides a comparative analysis through a quantitative method, of a major urban design intervention that was implemented in Taksim Square in İstanbul.Taksim Square and Gezi Park, have been one of the unique places to study social and spatial layout change throughout the history. Taksim as a political and social beating heart of Istanbul, it has been the subject of a never-ending cycle about urban design decisions. Currently the underground tunnel system is open to traffic and pedestrianized Taksim square, which is a vast concrete space awaits for an urban design project since 2013. In March 2020, Istanbul Metropolitan Municipality, declared a contest for an urban design project in Taksim. Between 146 applications, only 3 projects were allocated design equivalent awards. These three projects are unique in their space production with different urban design solutions. The question is; would it be possible to change the fate of the square and its close environment with the proposals of the winner project, and how about the other two in this manner?